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[quote]
we may give each other little digs now and again (all tongue n cheek really)...but whats with the sour puss aaaaaaaaaaaaayyyyyyyyyyyyyyyyyyyyyeeeeeeeeee? Fishy
[quote]
Razz

Not sure.. It's probably one of those faux intellectual anti-everything-except Hamilton-rock-kids from htown.co.nz. Thats if you are referring to "eveiri" or what ever it calls itself? But apparently he/she doesn't like working class people (we are hedonistic elitists) and has probably overdosed on Marx and Engels in some self induced revolutionary hysteria even though the music he/she supports is produced using capitalist technology and distributed through corporations. Taking note that Marx couldn't even explain what constitutes a social class in his work anyway.

The main treatise of Karl Marx is Das Kapital. It was designed to provide a scientific justification of the ideas Marx had expressed in his numerous pamphlets and manifestos. Only the first volume of this book was published by Marx himself in 1867. Two years after the death of Marx his friend Engels published the second volume and finally, in 1894, eleven years after the death of Marx, the third volume, which consists of two parts, 870 pages altogether. Yet, the book remained unfinished. The third volume contains 51 chapters; then follows a 52nd one-page chapter that is headed "The Classes." There Marx declares that the first question to be answered is what constitutes a class. But he does not provide an answer. Instead we read a note by the editor, Engels, saying: Here the manuscript breaks off.

One could be tempted to say: It is really tragic. Here is an author to whom fate denied the opportunity to define and to explain the fundamental concept of his philosophy, the concept on which all he said, argued and planned depended. At the hour in which he was to write down the most important thing he had to tell mankind, death took him off. How lamentable!

But a closer inspection reveals a different aspect of the case. The abundant biographical material about Marx collected and published by his followers and the Marx-Engels-Lenin Institute in Moscow evinces the fact that Marx had ceased to work on his book many years before his death. There cannot be any doubt about the reason. When faced with the task of telling in precise words what he had in mind when perorating about "social classes" and giving reasons for his doctrine of the irreconcilable conflict of interests between the "social classes," Marx failed thoroughly. He had to acknowledge to himself that he was perplexed and was at his wit's end. He did not know what to say in the planned 52nd chapter of the third volume and this embarrassment induced him to desist from finishing his great treatise. The essential dogma of the Marxian philosophy, the class conflict doctrine which he and his friend Engels had propagated for many decades, was unmasked as a flop.

And never mind that under Marx’s class allocations most of the people on this forum wouldn't even constitute as “petty bourgeoisie” but as “proletariat”

How funny is that?
[quote]
Like Marx and Engels, yet sounding, approaching, and visually looking alot like a bitter badly mis-informed TV Ones Kim Hill, Erevri fails.

When all accusations made are unable to stand up,...
All erevri is left with is = malicous intent. Neutral

Not a very good look for the IBC, and 'She' paints an Ugly look for the future of Contact.
also Unfortunatley, going against the INDEPENDANT BROADCASTING COMUNITY's fundamental ideal's like having local music aired.

Be that music from Working class, Black, Pink, Pokadot or handicapped.

This is the tip of the ice berg, there are many more Erevri's..sorry..Erevri' out there, and in attempts to form some sort of social status within thier peer's, Do nothing but critisize those who Try and Do...and well fuckit "Suceed".

Car
[quote]
wooahh!,
thats some freaky shizzle, I've been 'outa loop' for a few days and just checked all this this morning..

No doubt HSD can fry evriverrr or whatever the name is.

I remember talking too (well arguing with) gimps like this on htown.co.nz.....they are odd types, still revelling in the good ol glory days of the wailing bongo when bands where just "so strong" and anything electronic was monkey music!

times have changed gimps!

Its just damn offensive to read posts like that...they have so much hatred in them and makes you think, what was the point in writing that?? Rolling Eyes

anyway i'm sure i speak for all of us when i say fuck offski Pink Winky to evrivx Froggy
[quote]
Lets face it, some peeps just straight up crazy.

Although I cant help but wonder if Marx was playing devils advocate and is still laughing at the mayhem seen via satelite feeds runnig to his semi cryogenic unit on mars where appaerently there are also dolphins near the pyramids...


Laugh or cry, in a twisted sort of way its kind of flattering to think that some one would bother though. I bet they secretly have romantic notions about ghetto youth who rock a fresh step. Top marks for entertainment value.

Froggy
[quote]
just a ps :

Just got given a studio. Sent by Jah. Need that live sound. Raglan got the love. Make your own samples.

Peace Music
[quote]
mukura said:
Although I cant help but wonder if Marx was playing devils advocate and is still laughing at the mayhem seen via satelite feeds runnig to his semi cryogenic unit on mars where appaerently there are also dolphins near the pyramids...


Laughing
[quote]
" But apparently he/she doesn't like working class people (we are hedonistic elitists)"

Rival, I think you misunderstood evilevilythingy. The point was, students are elitists but 'beats' appeal to the lowest common denominator. So uni students won't really be interested in electro, unless they study managenment or tourism.

But I wouldn't agree that electronic producers are 'working class', because that assumes that they are 'working'. But when was the last time any of them did anything except sit around and pat each other on the back on this forum? A remix of Katchafire? Great! Now, do a remix twice a day for the next four or five years and then you might desereve to be called a 'real producer'.

The reason why 'indie rock', as you call it, is bigger in this town than disco is that the 'indie rock kids' work hard at what they do. This Night Creeps is a good example. The Datsuns is another. God forbid, even 48may are more deserving of any sort of success than you lot, just because they put in the hard yards. They didn't just sit around getting stoned for the last ten years with their prepackaged drum sounds and MIDI hobby kits.

But you know what? They effort they put in was directed towards the music, not towards self-promotion. I think you'll find that once your music is any good at all, the self-promotion becomes a lot easier.
[quote]
what? students =elitist?? huh?

bizzare, what band or producer does 2 remixs (or do u mean full tracks from conception) or songs if ur in a band "A DAY FOR FOUR TO FIVE YEARS"??

as for the rock vs producer arguement i dont think any-one here gives a toss....

And are u really trying to say they dont sit round getting stoned playing the riffs theyve ripped off from old rock dinosaur has beens??? Not only that they also steal their clothes, dance moves (insert the rock pose here), image and hairstyles!! 70s throwbacks

agree with your last comment tho, the music will speak for itself...havent heard this night creeps yet
[quote]
"And are u really trying to say they dont sit round getting stoned playing the riffs theyve ripped off from old rock dinosaur has beens???"

Of course they do that (I assume you're talking about the Datsuns). The point is, they don't JUST do that.

Lots of musicians write at least one song a day. That's actual writing, as opposed to rearranging someone else's work in PT or Nuendo or whatever.

I'm not saying that you should work hard. I myself hate hard work. I'm simply pointing out that the difference between the indie rock bands and the disco kids in Hamilton is that the ones producing the music in the former scene are not complete big mouth self regarding losers.
[quote]
no im talking bout all of the (and did u say ) "indie rock bands" please enlighten us on to what u think indie rock is cos im sure the datsuns, and 48 may arent

u sound like an ignorant fool, i dunno why u think producers are just remixing and rearranging (sequencing) other peoples material?

and i cant see why u hold playing a guitar in such high regard? its six strings, u got chords, strum this strum that, pick here, pluck that... its ONE instrument, any dumb kid SHOULD be good at it, if i sat all day "making two songs a day for four years" with a freakn guitar id hope to be able ram out pop riffs like 48 may etc (insert rock pose) then i could call myself a real musician

what is your point?
[quote]
i like www.htown.com its funny .....
[quote]
I wonder why these people are allways trying to put us/me and the music we create/promote/dance to or listen to down? Rolling Eyes

Sorry if I struck a nerve by promting my music in a forum....an electronic forum....About Hamilton Electronic music Music
Im honored by the intrest. And the speculatiuon being flung about my approach is downright flatering. Music

The real reason indie music is bigger in this town is because of better Media coverage and a healthy host of venue's.
And a larger group of people who share or put up with this narrowminded view of your's.
And alot more people listen to pop music than underground electronica whatever the genre. Weve accepted that and do it anyway. because we enjoy it.

Its just art, and art reflects what the artists see in society, unless they are "looking to make a whole lot of cash and do what the corporation ask's, just to sell loads of records marketed to brainwashed by the media kids" rock.

Im glad you people dont understand what we all hear and like about this music or the culture.
[quote]
here we go again....my milkshake is better than yours!

band-dudes, go off to your htown forum where you can all compare yourselfs to real rock stars like the Datsuns (what are they doing now you say?), 48May, who are just breaking new ground all around the world! And who are 48May trying to be? Blink 182, the guy even sings with an american accent.....how lost are these people!

Or you can be like most hammy bands and dress up and sing like your parents use to. Does this make them more proud of you? is this why you do it, cos your parents where never proud of what you did at school (like you said summeroflove - you hate hard work!).

Oh and btw, in response to sumthing you said earlier about uni students and lowest common denominator, well your wrong tiger!, i went to uni, studied geology and got a degree in it. I was into electro as much then as i am now....you steaming pile of Moon Moon
[quote]
summeroflove said:
Rival, I think you misunderstood evilevilythingy. The point was, students are elitists but 'beats' appeal to the lowest common denominator. So uni students won't really be interested in electro, unless they study managenment or tourism.


Amusing.

Since we are having fun with hasty generalizations here I thought I would add my own rhetoric for the fun of it. University kids are elitist? Ba ha ha!!! If stereotypical leftist political opinions (vote greens capitalism is evil), idealism without any understanding of reality (or pragmatism for that matter ~ see critique of Marx above for example) mixed with the stresses of maturing compound that young adults are generally going though during the University years is supposed to equate to elitism then we certainly don’t have anything to worry about here.

H-town rock kids are funny.

But you’re still cool. Right? Besides no electronic (isn’t it all called techno) lover of white mans reggae is going shoot you down like that!!! You’re cool and elite. Take a deep breath, have small induced episode of cognitive dissonance and write a come back.

The fans are waiting.


By the way ~ while we are discussing the Datsuns, in my opinion the only reason they got big (and isn’t it funny how htown rock kids like to claim them as their own as though they actually did the work with them) is because England’s music industry giants decided to have a rock revival for monetary reasons (see HSD comments on influence of media) and H-town is so insular and backwards with its rock culture that they were just perfect for the record companies to snatch em up and turn them into instant rock stars for a quick buck.

Are they still popular now the rock revival is loosing momentum and the money has been made?

I don’t know, since it’s your area of expertise perhaps you could answer that question.
[quote]
Wow....I must be a totally suckful person seeing as I:

1. Am a Uni Student
2. Work a 40 hour week (e.g. I love hard work)
3. Love electronic music
4. Play the Guitar, Sing & write my own songs
5. Have a boyfriend that has spent the last 4 years dedicated to perfecting the art of producing electronic music.



Anyone who wants to generalise and judge is just a dick as one person may be involved in more than one thing at any point in their life.

We teach our kid how to shake her butty to all sorts of music...it's all good. You want remixes???

Buy the Schnappi CD - 7 remixes of one song on the same CD. Eat your heart out.

Neutral
[quote]
Which highlights your many talents and also why Hasty Generalizations are a logical fallacy Kas.

http://www.intrepidsoftware.com/fallacy/hasty.php

Very Happy
[quote]
Kas said:


5. Have a boyfriend that has spent the last 4 years dedicated to perfecting the art of producing electronic music.
Neutral


is that when Felun 'assumes' the position Pink Winky

Adam, whats been happening dood, aint heard a peek outa ya in ages Music

There once was a hamilton rock band
Whose sound was un-original and bland
They joined a biggie forum,
and had absolutely no decorum
When will they remove their heads from the sand?

Music Pink Winky Mr. Green Car
[quote]
Laughing Laughing Rolling Eyes Laughing Laughing
[quote]
cosha said:
Adam, whats been happening dood, aint heard a peek outa ya in ages Music


Well today on the way to work traveling on the tram I decided that it was time I started a comic book series called “The Inquisitor” based on a young white color worker who finally snaps and writes this black manifesto (haven’t thought of a name for it yet) to start a new age Inquisition to purge the corruption in society.

*Think Sin City styles*

Targeting government departments, Masonic orders, corrupt cops, pedophile priests etc.

But… Other than my well practiced imagination, I have been struggling with Logic and my PC which keeps crashing every time I have a number of channels EQd. *yes even on my Alienware Beast* Basically I have to EQ my beat constructions and then bounce them out and import them back in as Audio Files into a new lfo file. It’s like every tune I write now will have to have two files for it, one where I do all the construction and editing and the other where I import the completed loops (EQ’d and Compressed et) as Audio Files just so I can complete the tune.

Getting frustrated with it as you can imagine.

And you?
[quote]
looks like your having the same pc based problems that caused me to not do logic anymore!

So i am prolly going to buy one of these dual G5's with a full version of logic 7...

mainly because the pc platform just dont cut the mustard no more...its a big purchase, but when i think back to how many times my puter has been fixed (big thanx to Intrinsik and Advokit) its cost me a coupla grand anyway, and where am I now....exactly where i started.

I'm slowly collecting some good gear now so i think its best to take the plunge and just do it *insert nike swooosh*. Everyone who felun and i have spoken to have had nothing but success with macs, even the humble old g4.

So that should keep me off the streets for a while eh!


But yer i'm sik of not being able to do anything, i have a choice-as room which is very comfortable and is well insulated to stop standing wave propogation, so it guts me not being able to use it..


wots up with that big brutha shit aye? (your an ozzy!) watched me first un-cut (or uncouth) one the other day Rolling Eyes OMFG..

....is your vagina an innie or an outie?

in that real awful whineey ozzy accent....yuk!
[quote]
Yes well the problems occur when I start doing all the finer detail to any musical composition. Now I read up in a Logic book about EQ’ing and this author was saying that it’s a very CPU extensive process (depeding on what EQ type you use) and that many channels with EQ’ing applied would certainly lead to CPU bottlenecks which makes sense to me, but I was of the assumption that one of the fastest pc gaming machines on the planet wouldn’t have any problems with this like other pc's... well I was wrong.

As you can imagine I have removed most of the background services running, virus scanning software and any other non windows stuff from msconfig. Also removing none crucial windows operations. Not to mention pressing ctrl+atl+del so you get task manager window once you are in Logic, then from processes finding Logic and choosing "set priority" to "high" Which helped but still hasn’t stopped the crashes, its just delayed them slightly.

I still have this AC Overload error, and sometimes it rips out my VST’s and I have to reinstall them after each crash. Lame. I am going to try out that new EMU 1616 because my theory is that the present Audigy sound driver is just badly written and tends to clog up CPU time causing the crash. My processor is 3gig and my memory is 1gig ddr ram so I don't think its hardware. Its certainly not a graphics problem with my advanced gaming Radion involved. So it must be logic 5.5 + audio driver + Windows Platform.

Dunno…

But this has lead me to believe that if the stories are true about Macs never having these problems and the fact that Logic has moved to the OSX platform anyway, I agree that both you and felun have made a wise investment.

I can’t afford to purchase a new MAC though so I feel pretty screwed, I’m just going to go back to basics and learn to master each individual synthesizer and the various advanced techniques like making Zinc style wobble basslines etc. Stuff that doesn't crash my PC, Then I will probably be ready to upgrade.

By the way, I don’t watch much TV, I am more likely to be reading a book or working on PC than watching that hiddious show Big Brother, every time I see it on TV I feel like vomiting. Actually that goes for most television.

Froggy
[quote]
Laughing kas 4 years u say, he musta be a retardedo or sompin


rival sounds like he needs to start using his albino and using the mx box within it to sync his lfo to his cutoff, sync the lfo speed to his breath or anything usused on hyperdraw and wobble his way to zincness

PS...i'll mail u a loop tnite to ur dnb addy, and maybe i can send thru some presets for you albino?
[quote]
OH!!!! Yes please Paul. Send me new stuff or I will actually become an Albino because of withdrawal symptoms.

Nasty Bizniss Razz
[quote]
does kas play daily AND write songs, cos apparently that makes u a "musician", and worthy of RRRRAAAAAHSPECT from the INDIE KIDS (who are cool dont ya know)
[quote]
LOOK AT MUI

It comes down to what you perceive a musician to be. Some people still envision the musician using this outdated rock paradigm from the 60s/70s. Now personally I would consider Kas as an individual deserving of such a title these days (What a women!!!)

Where as I personally couldn’t care less whether I was considered as one or not.

Ha, but my favorite band in the whole world is still Bad Religion (rough sounding American Punk Rock). My musical influences span a wide range of different genres of which electronic music like Drum n Bass is only a small portion of.

I am just as appreciative of Jazz (only truly understood when it’s seen played live) or dancing around to Ska music from the Specials as I am of Andy C.

I’m not overlooking the blatant self promotion in dance music these days by specific people* which is certainly evident, but it’s just funny you know, that they would base their entire understanding of certain musical styles and their respective fan base on such a biased and small sample size of information.

Rest assured their myopic hasty generalizations are erroneous here.


*In Melbourne these people have been coined “Noters” E.g.: *look at mui* *I’m drinking Chardonnay*
[quote]
Rival said:
Razz
Marx couldn't even explain what constitutes a social class in his work anyway

...under Marx’s class allocations most of the people on this forum wouldn't even constitute as “petty bourgeoisie” but as “proletariat”

How funny is that?


Pretty funny. So you know what Marx's 'class allocations' would be? Even though Marx supposedly never explained what he meant by 'class'?

Sorry to get you guys so defensive. I never said that electronic producers are not real musicians. Just that, in Hamilton, the bands are doing way more. Whether it's good or not is beside the point. They are just doing way more. There are gigs every weekend, actual gigs, as opposed to club nights. With promotion, like posters, radio ads, articles in the papers, flyers etc.

I think electronic music in Hamilton could be massive, it's just that there doesn't seem to be anyone actually doing anything. Hamilton producers don't seem to be on Contact or George (or bfm, Control or Active for that matter). You never see any posters for local DJs, only out of town ones. You never see any CDs by local producers in the shops. Do any hamilton producers/DJs have websites? I can't find any, nor any links to any.

Perhaps the scene is so 'underground' that you guys don't want anyone else to bre involved further than getting dressed up on a weekend and going to catalyst. Handbag city!
[quote]
summeroflove said:
Pretty funny. So you know what Marx's 'class allocations' would be? Even though Marx supposedly never explained what he meant by 'class'?


I have read a great amount of Marxs various transcripts, from Das capital to the Communist Manifesto. Trust me I am heavy into Political Science and History (amongst other fields) and while he attempted to define the general nature of classes and wrote vast volumes about the class struggles in his philosophy of Dialectical Materialism (based heavily on Hegel’s writings) he could not define what constitutes a social class, he gave loosely fitting allocations like Proletariat, bourgeoisie, Lumpenproletariat and various other terms to describe positions like land lords, farmers, middle class off shoots (petty bourgeoisies), peasants etc which were mostly subdivisions of the first two.

But Marx did not complete the manuscript that would have presented his overall view of social class; I believe this was because he realized in his attempts to circumscribe it into an axiom that could be applied, he was more or less dealing with constantly changing variables that would have interfered with a complete and final static definition. So the majority of his writings focus on or concern the class structures of capitalism (it’s a very critical doctrine obviously), and he more or less specialized on the dynamics of the capitalist class struggle, political power and supposed competing classes, and then moved on to theorize from this the development of a classless society and how to create that expectation in his ideal world.

However his entire view of the class structures he proclaimed exist under capitalism was based on the labor theory of value (Adam Smiths definition) and can be derived from this theory which meant it was somewhat flawed to start with as it should be noted that Labor is not the only and/or root source of value, for as the Austrian Economists like Ludwig Von Misses and Hayek rightfully proclaimed “values are subjective” they shift and constantly fluctuate from person to person from each moment to the next and are not fixed to an individuals labor specificaly.

The most important thing to note here is that the "classes" that Marx distinguishes within a capitalistic society have a continually fluctuating membership. Class affiliation under capitalism is not always a hereditary quality. It is assigned to each individual by a daily repeated plebiscite, as it were, of all the people. Generally the buying public, the consumers, by their buying and abstention from buying, determine which companies should survive and therefore in a around about kind of way who should own and run the plants, who should work in the factories and mines, who should play the parts in the theater performances, and who should write the newspaper articles. They do it in a similar way in which they determine in their capacity as voters who should act as Members of Parliament and Prime Minister. Every dollar spent is more or less a vote of approval. In order to get rich in a capitalistic society and to preserve one's acquired wealth one must satisfy the wishes of the public.

In the unhampered market economy, not sabotaged by concessions and exemptions accorded to powerful pressure groups, there is no protection of vested interests, no barriers preventing anybody from striving after any prize (granted that’s certainly arguable in regards to monopolies). But essentially access to the Marxian-designated classes is free to everybody especially those with cunning and ambition.

The supposed members of each class compete with one another just as much as anyone proclaimed to be above or below them; it’s not a class conflict as such its the same for every individual in society. People are not united by a common class interest and not opposed to the members of other classes by being allied either in the defense of a common privilege, which those wronged by it want to see abolished, or in the attempt to abolish a legal disability which those deriving advantage from it want to preserve?

Let’s face it, regardless of his attempts to loosely define “classes” his doctrines are full of holes and is contains a lot of loaded terms and sophistry.


summeroflove said:
Sorry to get you guys so defensive. I never said that electronic producers are not real musicians. Just that, in Hamilton, the bands are doing way more. Whether it's good or not is beside the point. They are just doing way more. There are gigs every weekend, actual gigs, as opposed to club nights. With promotion, like posters, radio ads, articles in the papers, flyers etc.


It is no surprise that bands are doing far more in Hamilton as a large portion of the culture seems to have a history predominantly influenced by Rock Music; it has a larger support base and more monetary support. There are all sorts of various reasons we could explore as to why this is, but I believe it has a lot to do with the farming communities where a lot of the our students come from initially when they move to Wakatio University (a major part of the township) also taking note that we loose a lot of these same people to Auckland or overseas once they gradate meaning their wages are not always spent back into the local township and the money that is spent during the Uni years is restricted around what’s cheap and affordable (which isn’t a lot during that time). So there are economic forces involved (I could almost name the most lucrative industries in Hamilton in a few bullet points for those who do stay there too) it also has to do with the people who have influence over and control what is played on the mainstream radio stations (limited exposure), these peoples musical tastes and respective biases not to mention the prospect of what will bring in profits to the owners not necessarily what will develop a diverse culture in the long term. In some ways it’s a very insular and stagnate rugby/rock culture and will always have those elements which to me is somewhat unfortunate. Not to mention Rock has for the most part had a huge head start.

summeroflove said:
I think electronic music in Hamilton could be massive, it's just that there doesn't seem to be anyone actually doing anything. Hamilton producers don't seem to be on Contact or George (or bfm, Control or Active for that matter). You never see any posters for local DJs, only out of town ones. You never see any CDs by local producers in the shops. Do any hamilton producers/DJs have websites? I can't find any, nor any links to any.

Perhaps the scene is so 'underground' that you guys don't want anyone else to bre involved further than getting dressed up on a weekend and going to catalyst. Handbag city!


Well there is quite a history to Hamilton’s dance culture, which I honestly can’t be bothered going into with great depth, but there have been a number of different peak years spanning back to the early 90’s where there was better and more enthusiastic support base and generally better exposure (think Paul Medias Biosphere show) also bigger groups of promoters like Anomaly and Adrenaline, along with smallish clubs like ecstatic, pulse and various warehouses that were utilized, private house parties, and student flats utilized (think cook street flats) etc. However overall it has always be a relatively small underground culture and possibly always will be? There has also been a numbers of different factors involved which haven’t helped it to grow, like for instance the 3am closing times by the conservative city council along with groups splitting and moving on to greener pastures over time. A few years back when the Catalyst was Motion (of which I was a resident for) we had a good little following for a while, but after a few short bursts (spanning over a couple of years) it was found not to be sustainable (there were a number of competing interests involved which helped to destabilize it though). I don’t know how things are these days as I am in Melbourne now but from my understanding it still has a small support base and limited capital being developed and invested which reflects in these areas you mention. Without professional commitment, financial support and a growing support base (helped partially by exposure) it will remain this way. However it also has to be considered that its a very young scene and while there are producers working away in the pipe line (can be counted in my hand) its not likely they will all reach full productive maturity until a few years to come, though I may be wrong about that. It just depends.
[quote]
Perhaps Marx found that he didn't need to reiterate what Engels had already written in 1847:

"What is the proletariat? The proletariat is that class in society which lives entirely from the sale of its labor and does not draw profit from any kind of capital". Whereas the capitalist owns capital, the worker must sell his or her labour to survive.

Hope this helps your understanding of Marx and Engels. You sure seem to need it.
[quote]
wOW, some intellectuals on this site!
No offence to anyone but i would have to agree with sommeroflove about the dj's and promoters in hamilton........The promotion by people here in hamilton is fucken pathetic. Some people seem to think that a post on this forum and a few flyers down at catalyst a few days before the gig (if your lucky) is good event promotion. No wonder many events in recent times are poorly attended........
[quote]
leithel said:
wOW, some intellectuals on this site!
No offence to anyone but i would have to agree with sommeroflove about the dj's and promoters in hamilton........The promotion by people here in hamilton is fucken pathetic. Some people seem to think that a post on this forum and a few flyers down at catalyst a few days before the gig (if your lucky) is good event promotion. No wonder many events in recent times are poorly attended........


Yup agree with that, The promotion of "electronic" in Hamilton has taken a huge downward spiral over the last couple of years. these days it is rare to see a poster or flyer anywhere let alone the venue where the event is being held.

There are some huge untapped resources for the promoting of these gigs, University, polytech, cafes, music stores just to name a few. There are plenty of people into electronic music in hamilton who just don't know what is on when, or just don't like the venue where the event is held.

Surely spending a few extra dollars creating one flyer, and even photocopying the said flyer in simple "black and white" (very effective colours)and actually distributing it!! will get more people along, which in turn should cover the extra spent on a little promotion for once.

You can't tell me that everyone isn't sick of playing to 15 or so people which of 6 or 7 may be up on the dance floor.

I can't speak about any of the other electronic venues as i don't go to any others apart from catalyst as they don't cater to my taste, but i don't see flyers floating around for these other venues either.

I understand that you all have plenty of other things that are on in your lives etc, but if you decide to take on the roll of a promoter, shouldn't you put a bit more effort in?? I don't know the intricacies of promoting an event, e.g. cost, restrictions from venue owner etc, maybe someone can enlighten me.

I don't want this to sound as negative as it does, im not looking to offend anyone, I have massive respect for what all you guys do, and have done with the scene here. Im just a punter with a love for the music, I work during the week and most saturday evenings so can't really travel out of H town to often, and i don't wanna see the scene go to shit.

Shit, i don't mind distributing flyers to certain places if it will help the scene here grow.
I know that Leith and I aren't the only punters with this view Neutral
Peace
[quote]
summeroflove said:
Perhaps Marx found that he didn't need to reiterate what Engels had already written in 1847:


Perhaps is still not completing the manuscript nor is it ascribing an accurate allocation of which the definition should apply for. If one is to complete a true scientific process then the conclusion arrived at must be a true deductive certainty not a generalized term that may apply sometimes and in most cases not apply at all. Now as any true intellectual will tell you, it’s all good and well to criticize a system, but upon doing so you should at least offer a completed and viable system to replace it with (of which communism was not), or at least demonstrate solutions in the way of emends like Keynes so successfully achieved.

And it’s all very good and well throwing around class allocations like "Proletariat" and "Bourgeoisie" but what actually constitutes a "Proletariat" and does it actually hold true?

As you quoted from Engle’s:

summeroflove said:
"What is the proletariat? The proletariat is that class in society which lives entirely from the sale of its labor and does not draw profit from any kind of capital". Whereas the capitalist owns capital, the worker must sell his or her labour to survive.


Key words:

Capital: Wealth in the form of money or property, used or accumulated in a business by a person, partnership, or corporation.

Allocation: the act of distributing by allotting or apportioning; distribution according to a plan

Constitute: - To be the elements or parts of; compose.

So tell me now, which supposed member of the proletariat never earns a share of the profit of his labor? Taking note that any profit he earns is actually if you want to by semantically pure considered “Capital”. If any proletariat earn an amount of profit (no matter how miniscule) that it can be considered as “Capital” and utilized to develop further “Capital” he is no longer a Proletariat by that definition but now apparently (according to Marxists) a Bourgeoisie or capitalist. Was there ever a proletariat then?

The definition is not complete is it? It’s a class allocation yes, but does the target of this definition actually represent or correctly constitute it?

No.

Marx and Engel’s failed.


Everywhere Communism has been trailed it has failed miserably and ended up evolving into Stalinist police states, which was bound to happen considering equality and freedom are diametrically opposed to each other, not to mention the process of which a classless society was meant to be achieved was inherently flawed, for any Government required to take control as to implement said ideology is guaranteed to require more power to achieve its means and end up “totalitarian” in the process. Which is exactly what famous socialist anarchists like Bakunin rightfully proclaimed repeatedly to Marx at the First International before the revolution was undertaken. As most historians will tell you Marx and Bakunin's disputes eventually led to Marx taking control of the First International and expelling Bakunin and his followers from the organization.

It seems Marx wouldn’t listen to reason or handle valid dissent, which is evident if you actually read his scriptures and retorts to his critics with an objective eye. In fact the only retort that Marx, Engels and all their followers down to the Russian Bolshevists and the European and American professorial admirers of Marx knew to advance against their critics was the notorious ideology doctrine. According to this makeshift a man's intellectual horizon is fully determined by his class affiliation. The individual is constitutionally unfit to reach out and to grasp any other doctrine than one that furthers the interests of his own "class" at the expense of other "classes." It is, therefore, unnecessary for a proletarian to pay any attention to whatever bourgeois authors may say and to waste time refuting their statements. All that is needed is to unmask their bourgeois background. That settles the matter.

This is the method to which Marx and Engels and later Marxians resorted in dealing with all dissenters. They never embarked upon the hopeless task of defending their self-contradictory system against devastating criticism. All they did was to call their opponents stupid bourgeois and to ascribe their opposition to their bourgeois class affiliation.

But Marx and Engels also contradicted their own doctrine in this regard. They both were scions of bourgeois families, brought up and living in a typical middle class milieu. Marx was the son of a well-to-do member of the bar and married the daughter of a Prussian nobleman. His brother-in-law was Cabinet Minister of the Interior and as such the Chief of the Royal Prussian Police. Engels was the son of a wealthy manufacturer and a rich businessman himself; he indulged in the amusements of the British gentry such as riding to hounds in a red coat, and snobbishly refused to marry his mistress because she was of low origin. From the very Marxian point of view one would have to qualify Marxism as a doctrine of bourgeois origin.

The task of fighting Marxian dialectical materialism and all the various epistemological, philosophical, economic, and political doctrines emanating from it can only be accomplished by well-informed people. Those who want to contribute seriously to the defense of Western civilization against the onslaught of the dictators must acquaint themselves with the doctrines they plan to fight and must with full vigor study the writings of those authors who have long since entirely demolished all the Marxian fables and distortions. One has to admit that this is not an easy matter. Yet, there are in this world no great things that can be accomplished but by moral resolution and strenuous exertion.

summeroflove said:
Hope this helps your understanding of Marx and Engels. You sure seem to need it.


Thanks, but I don’t think I required your help.
[quote]
To jiba and leithel ~ I can’t personally believe that anyone here would be offended by your comments which for the most part seem valid. It’s not a new disclosure that the promotions of dance events in Hamilton have been for the most part seriously lacking in exposure, it was a common statement made by myself when I was a resident at Motion in fact, but as all my money and time was tied up in working during the week and the sourcing and purchasing of Vinyl and DJ’ing on the weekends I could offer little for advertising, likewise with Felun and Cosha too their investments were also tied up in different areas of the club.

However when Motion was in its hay day, most of us were more interested in creating a community that was based on intimacy and promotion through the spread-of-word more than by commercial advertising. Flyers were distributed from the club itself and it certainly seemed to work fine when we could provide what people were looking for, however years later it is easy to see the shortcomings and to speculate over how things could have been performed better. Hindsight is 20/20.

May I suggest now though that both of you learn from our shortcomings, save some capital and invest it into new promotions for Hamilton then? Besides most of us older crowd are working on production these days. Hamilton needs new injections of enthusiasm.
[quote]
Rival said:

So tell me now, which supposed member of the proletariat never earns a share of the profit of his labor? Taking note that any profit he earns is actually if you want to by semantically pure considered “Capital”.


If you want to ascribe the ownership of capital to the worker, you should call his or her labour 'capital', since the relevant sense of capital here is that of a resource which generates income.

Also, you misunderstand the notion of profit. Profit is that which is left over after the costs of running the business have been paid. Those costs include labour costs, i.e. the workers' wages. Some companies do operate under profit-sharing arrangements. Most do not.

Let's use an example. Say you own a toothpaste company. You employ 10 people at $10/hr. Your total other costs per hour are $100. That means your costs are $200/hr. You make 200 tubes of toothpaste in an hour. That means each tube cost you $1. If you want to make money, you will sell these tubes for more than $1 each. The difference between the cost of each tube and the price of each tube is your profit per tube. You do not give this profit to the workers, since their wages are already paid for.

The relation between you and your workers concerns your relation to labour and capital: you own the capital and therefore do not need to sell your labour, whereas for them it is the other way around.
[quote]
No no, I understand what Profit is.

My question to you is this: the wages they earn is this not also capital?

EG: They are paid for their hired labour regardless of what their boss earns, does that not make them a holder of capital in any way shape or form?
[quote]
Summer.. Are you actually a Marxist by any chance?

You have to understand that Marx based his reasoning on the "Labour theory of value" which is not correct if we look at the subjectivity of human values.

It might be that we are arguing from too separate definitions here.

Also Marx based his doctrine on Ricardo's "Iron Law of Wages" which was already refuted prior to Marx adopting and applying it to his doctrine. Thus things were on shaky ground to start with.
[quote]
Catalyst is under new management ownership, and does things differently to owners in the past.
tho they still run an advert on Contact fm for thier hip hop nites.

I agree in the lack of local promotions lateley, To find out whats going on you have to turn up to one of 4 clubs's and ask the doorman.
Tho anything more than that and the promoter can be in line to labeled a blatant self promoter.
So whatch your approach promoters.

My tune recieves or recieved airplay on all Bnet staions nationwide, also Mai fm in Auckland, George fm.
Aslo Kool fm in UK.

In Hamilton Max 107.1 fm support's it. Local as. Music
[quote]
highspeeddubing said:
I agree in the lack of local promotions lateley, To find out whats going on you have to turn up to one of 4 clubs's and ask the doorman.

Tho anything more than that and the promoter can be in line to labeled a blatant self promoter. So whatch your approach promoters.


I personally don’t have a problem with anyone advertising their wares (skills/services/product) and promoting their events as it’s certainly required in the market, but often criticisms are derived in the manor in which this is conducted.

EG: Promoting yourself as the No. 1 DJ of a certain genre in “said location” as concluded by that same individual (with no actual competition or vote practiced) is not only false advertising but also what could be considered “blatant self promotion”

This is just one example of where such criticisms can come from; it’s not necessarily a dig at you, just thought it should be said.

However there will always be those “haters” as implied regardless, I agree. Essentially the type of person that views anything that is advertised as immediately commercial and selling out.

Such people should be ignored.
[quote]
Maybe its time for me to put the Promoter hat back on then.
[quote]
We live in a relatively free market Laff.

Ignore the unwarranted criticism and go for it.

Wink
[quote]
So when is this promoter going to get 'te Rival' in for a booking aye?
[quote]
highspeeddubing said:
So when is this promoter going to get 'te Rival' in for a booking aye?


Ha.

That Laff I don’t know, because I have not been practicing much nor keeping up with every new release and focusing my attention in other areas. It would not be appropriate to book me as such because of this.

However I promise to develop something interesting, hook up with Cosha in Auckland at the end of the year, coming down to deliver something really well practiced, diverse and powerful for you all.

I will talk to you before that time anyway, I’m sure.

Take care bruv. Wink