On a similar note, how could two such amazing records as The Youngsters 'Curtains' and 'Mellotron' not have become major hits in the techno, tech-house or ever prog scenes?
I heard Tenaglia rinse 'Curtains' for about 15 mins at Zouk, Singapore in 2004 and it was utterly amazing. Yet the techno fanboys there and on message boards for months afterwards were dying to ID it????