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DJ DEETRON

Born in Bern, Switzerland, Music was a constant in the Geiser family home. Sam's father's activities as a jazz musician ensured that he was surrounded by music from a very early age, sewing the seeds of his own musical interests. But it was Hip-Hop that encouraged this to flourish into an active involvement in music, during his teens. Sam soaked-up the music of Gangstarr, A Tribe Called Quest, and Prince Paul like a sponge, and was quick to realise the role of the turntable within this context, taking up DJing in 1992.

Early Hip-House producers, such as Todd Terry, also captured his attention, and Sam began to make the transition to more 4/4 orientated sounds - picking up on the now classic output of Chicago and Detroit-based electronic musicians and introducing this into the sets he was, by now, playing around his home town, and further afield in Switzerland.

This led, in 1994, to his first big break - securing a residency at Zurich's reputed club, Trax at the Rohstofflager. Once reaching this position, Sam felt it was time to make his own forays into music production and began building a studio, drawing on his experience as a DJ to create his own tracks. A meeting with Stefan Reisen, head of the fledgling Phont music, led to the release of Deetron's first single - as Soulmate, in 1997.

Things snowballed from there. Geiser's production activity put him on the map, which in turn assisted the growth of his DJ profile. A trip to Japan led to a collaboration with DJ Shufflemaster (again, for Phont), and pretty soon the requests from other labels began to come in. During the late nineties, his work for other labels saw Deetron finding his audience (including a string of International club jocks) and developing his own sound. In later years, Sam's production touch has graced labels including Cosmic (as Karakter), Ongaku (the 'Lorraine EP') and SLS. In addition, he received a deluge of remix requests ' resulting in work for Samuel L. Session, Ben Sims, Damon Wild, Steve Bicknell (as Karakter), K-Alexy Shelby, Orlando Voorn, Paul Mac and others.

Possibly one the most fruitful partnerships of his career so far is that with Belgium's Music Man label. Beginning with the 'Dolls For a Diva' 12" in 2001, and including several more 12"s and a superb mix CD that acts as ample testament to Sam's skills behind the turntables. Music Man are also the label that Sam has chosen to release his debut full length release.

With high profile remixes for Ennio Morricone, Victor Simonelli, Gary Martin, and Mark Broom, and have taken his DJ-schedule to yet another level and he released the massive "Miss Suave EP" on Intec in 2004 as well as "The floor jackin' theory" on Music Man in 2005. Furthermore he remixed Funk D'Void, Joris Voorn, Smith & Selway and Detroit Grand Pubahs to name but a few. In 2006 a new single called "Isotope EP" wias released on Music Man and his long awaited debut longplayer "Twisted" hit the stores in late 2006 to huge critical acclaim.

Since then Deetron has stamped his mark amongst the techno elite.

This is one DJ that just don’t Tech No for an answer!

KID KENOBI

Since his early beginnings behind the decks in 1996, Sydney based Kid Kenobi has steadily risen to his current place as the busiest DJ on Australian shores, now widely regarded as the home of the most booming breaks scene in the world.

2002 & 2001 saw him take the award for the Australian DJ of the Year, and in 2001 he also took home the award for People's Choice NSW DJ of the Year at the Australian Dance Music Awards.

It's often surprising to both peers and punters that such a profile has stemmed from the art of dj-ing alone. This has provided the inspiration for Kid Kenobi to undertake production work, his first being the double mix CD for Ministry of Sound Australia aptly titled "A Clubbers Guide to Breaks". Outselling prominent international releases in the same genre, a second Clubbers Guide to Breaks release was released October 2002. His debut remix of Green Velvet's "La La Land", a collaboration between Kid Kenobi and Poxy Music (Pocket and Ken Cloud) is also out now on Hussle Recordings, receiving great reactions from both international and local djs as well as trainspotters from around the globe.

In the meantime, a calling to explore foreign shores and a "break" into production has taken the Aussie breaks battler to the UK, Europe and New York where he engaged in a number of overseas performances and spent time in the studio with some of his favorite international engineers.

Kid Kenobi alongside MC Sureshock are without doubt Australias’ No.1 DJ/MC combo, and continue to blaze a trail across the globe with Break Beat being the winner on the day.
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im there!

in which bar is deetron playing??



Music
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matchbox
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this will be a awesome gig..

man, that flyer is loud!
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The poster is deliberately shithouse I think - to prepare people for kid kenobi.

That said, I'm still keen.
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Bn1 said:
The poster is deliberately shithouse I think - to prepare people for kid kenobi.

That said, I'm still keen.


A bit harsh fella... you may not like the music he pushes in his sets (not that its anywhere near shithouse), but he's an expert DJ who always rocks the crowd.
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Have you noticed your in the Techno forum?
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yes he hears the reverb
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Is that why all the vocals here are pitched down so low?
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what vocals? we only have attenuated rhythms
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Just cause he 'rocks a crowd' doesn't really have any bearing on my opinion of him. I'm sure there'll be plenty of people there on the night who will enjoy his set but I don't think I'll be one of them.

But I will be popping over to check out Mr P. Lay's set and maybe yours mr DC1, so if I happen to hear Kid Kenobi I will be able to confirm or retract my thoughts then Smile

Meanwhile Deetron has a new mix coming out soon!

Looks like a nice varied selection..
http://www.residentadvisor.net/news.aspx?id=9817

Tracklist
01. Mossa - Body Selector (Swayzak remix)
02. Salvatore Freda & Volta - Basic Hood Lobos
03. Kenneth Bager Feat. Jean Luc Ponty & Nikolaj Grandjean - Fragment Four Love Won't Leave Me Alone (Jackie Idjut Remix)
04. Iron Curtis - Ass & Cash
05. Dop - I'm Just A Man
06. Jacopo Carreras - One Sentence (Efdemin Remix)
07. Baaz - Something
08. Fingers Inc. - A Path
09. Marcel Dettmann - Plain
10. Spacetime Continuum - Kairo (Carl Craig Mix 1)
11. Gene Hunt - Inspire (Abicah Soul Remix)
12. Jerome Derradji - System Of Survival
13. Henrik Schwarz / Ame / Dixon - D.P.O.M.B. (Version 1)
14. Adam Marshall - Thelon (Todd Sines Remix)
15. Trus'me - W.A.R. Dub
16. Redshape - Warrior
17. Dettmann & Klock - Blank Scenario
18. Matthew Styles - We Said Nothing
19. DXR - Dark Rain
20. Shackleton Feat. Vengeance Tenfold - Death Is Not Final
21. Michel Cleis & Salvatore Freda - Sassicaia
22. The Lost Men - I Cried For You
23. Herb Martin - Soul Drums
24. Radio Slave - Eyes Wide Open
25. Mr. Monday - Future
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Really excited about this one, was gutted i missed deetron last time he graced our shore.
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13. Henrik Schwarz / Ame / Dixon - D.P.O.M.B. (Version 1)

::pelvis::
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Yeah, that Fuse serties is starting to be the bomb! Think the last one was getting 5/5 all over the show, and the mighty, mighty, top 10 of all time mix Joris Voorn did - drool. Notable floorburning mixes by Sindoe and Steve Bug, tho they are both WAY way better than those mix cds, didn't really capture how amazing they are live...

er.. Yeah. Deetron.
Maybe. MAYBE. Andy will secure a cd or two to do giveaways at the gig. If not I'm sure Sam will have some to hand out to loving fans like with his album last time if you were lucky (and dedicated) to head along last time.

If you are in any way into this thing called tech and or into this thing called Djing, then Deetron is your man Smile
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set times?
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jumping the gun a bit there jeremy
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Night Rider said:
jumping the gun a bit there jeremy



don't want to miss a killer kid kenobi set and getting my ministry of sound 'clubbers guide to 2001' signed my the man himself.


Wink
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jeremy d said:
Night Rider said:
jumping the gun a bit there jeremy


don't want to miss...

matt drakes set now that his laptop will be speaking German.
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wow...
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hey please let me know how much on the door and also set times if poss and ummmmm somthing else i cant remember cheers
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Set times as follows

Ink
10-12-Alex Bull
12-1-30-Matt Drake
1-30-?Deetron
?-close-Mattias MaleDuckus

Coherent
10-30-12-Random P Lay
12-2-Timmy Schumacher/MC Kyla
2-?-Kid Kenobi/MC Sureshock
?-Defcon1

If you have not got a ticket from I Ticket than there wil be door sales at $20.00
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Quack!!
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what about if you got into a large Duck Suit for that set???

Or even a little Donald Duck (with a touch of Japanese school girl uniform) outfit?

It's a winner Matt Wink
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are there plenty of tix left for the door?
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Door Sales will not be a problem,get in early to make sure!
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1:30... gee wiz. its been quite some time since ive been up that late! Monkey
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spot ya's
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peat said:
spot ya's


ya spots?
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shots more like

how'd this go apart from peat's apparent injury?
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i enjoyed it, until the clock struck midnight and i turned 21, another year older!!

matt's 2 sets were great too!!


6pm saturday and i've been up since 5.30 am friday on nothing but 2 red bulls and an assortment of beers.





Music
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you are on the learning curve of being a seasoned clubber there jeremy
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Fucking hell mate! Ya didn't even let on!

Happy birthday!!

Fun, Deetron was sick. Pure jacking funk. Lovely.

Fucking top bloke. So humble off the decks he makes most bedroom DJs look like Tiesto...
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He did good work
It is all a bit of a blur but I do remember hearing 'shades of jae' and the Serge Santiago edit of Kano. Music

Matt was on good form throughout the all nighter too.
I wish I could say the same for myself.

Nice to catch you Peat! Jeremy I didn't meet you but I presume you were the last man standing at the end... (I was slumped on the bar).
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deetrons selection sounded pretty decent but yet another gig with lots of potential ruined by a shit venue with a shitty sound system
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Bn1 said:


Jeremy I didn't meet you but I presume you were the last man standing at the end... (I was slumped on the bar).




yeah, that was me. were u in the peter urlich style glasses?? (take that as a compliment!)
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td said:
deetrons selection sounded pretty decent but yet another gig with lots of potential ruined by a shit venue with a shitty sound system


Do any of you guys want to pass my details onto Andy?

I'm going down this weekend to look after the system while Breakers is on, but, well, the more people that mention it to him, the more he might accept that there is actually an issue?
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The system at Ink only runs at around 60% or maybe 70% peak.

It's because of sound complaints that the club has to keep it less than peak.
But on the dancefloor itself it's totally fine.

The people who normally complain are the ones who stand in front of the booth, or by the wall opposite, where there's a speaker lull - which always confuses me,cos if they bothered to move a couple of metres they'd get a full body dose of sound. I actually find that it's too loud for me on the dancefloor, pretty punchy.

Anyhow - yeah. Ink is a great space, unfortunately sometimes it's quieter than some would like, and louder than some would like. As with any venue, the sound changes a lot depending on the amount of people. Oddly enough, Ink's system sounds louder with more people down there, it helps bounce the sound off the dancefloor - so with a quieter crowd, it can sound quieter.
It has a new digital processor and new mixer so the sound is pretty clean at the mo compared to their old gear, and the midrange speakers were new a few months ago.

The guy who runs the sound runs a fair few places - don't think he needs help Smile
But head on down and offer ya services, who knows, am sure you'd be able to tweak it nicely! Every bit of help is appreciated I'm sure!
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mattdrake said:
The people who normally complain are the ones who stand in front of the booth, or by the wall opposite, where there's a speaker lull - which always confuses me,cos if they bothered to move a couple of metres they'd get a full body dose of sound.


so who has room to move? Razz
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jeremy d said:

yeah, that was me. were u in the peter urlich style glasses?? (take that as a compliment!)


Haha
Not sure who that was but not me.

Regarding the sound I didn't think it was too bad but I always have my earplugs in down there which tends to help.
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ink is a great space? are you serious? what are you comparing it to? a club in a toilet?
there's not really any area of the dancefloor where you can stay without regularly getting bumped from people trying to move to the bar or outside. it's a major design flaw! and a well designed sound system shouldn't force it's customers to not stand directly in front of the dj booth or by the opposite wall. it should be well balanced across the area of the club shouldn't it?
i'm not going to claim to be any kind of expert on room design or acoustics or anything like that, but i am using my own ears judgement on the sound quality there, and my ears tell me it's shit. it's a shame so many international djs play there, it must leave with a really bad impression on what nz clubs are like.
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haha - well, each to their own. Pity you had a bad time. Always sucks to have things not up to scratch.

It's a Bar. As it's name says.
It's a great bar, that allows NZ techno and underground house to survive.
It's not Watergate, or Panorama, or even Honkey Tonks.
But it's the only place that supports good music a lot.

And most people I know have had some of their best times partying there.

As for getting bumped into?
If you are on the actual floor, not really. If you are standing around the thourofare then yeah, you will get bumped into... just like you would at Honkey Tonks, Watergate and Panorama....
In fact, considering that Watergate and Panorama got best clubs of the year - they have exactly the same problems at Ink bar does... they just have more money to throw around. There are still loads of people complaining about teh sound being too loud or too quiet, about how it's too packed, or the sound is too loud on the floor, or too quiet off the floor, or you are getting bumped into heaps and heaps.

No place is ideal.

If you want good music, then this is the place that is putting it on.

Complaining about things is a very techno thing to do, and is one reason the techno scene here is total shite. People read these boards, and just think "oh, that party music have been shite".

if you look on the other forums, you'll hardly EVER see anyone bitching about the low points of nights/venues.

Shit, there was another big party that happened the same night as Deetron. I had a bunch of DJs come to me at the end of the night at Ink and say that it was terrible! Bad sound, bad everything. Every single person I've talked to has said the same thing. Yet I've not read a single negative comment online. Which means that while the party may have had it's flaws, the people who are supporting it are aware that the only way to get a scene thriving is to concentrate on the good things, and let people know offline the concerns.

But at the end of the day, if you are into the music enough you will go anywhere.

I've also been at other clubs where I've had to put toilet paper in my ears cos it was so damn loud and 'full' that it was way over the top. In fact, name me ONE NZ club that doesn't have sound problems? I've heard bad sound at them all.
Some are worse than others, some are better in general. Only one place I've heard of that is fantastic that I've not been to is Bath St - but that's not exactly typical, the owner LOVES to know he's on the money with sound.
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Sorry mate - that wasn't really directed at you!
haha

Just seen too much negativitism by some of the regular posters here.
Which is fine. But these guys are hardly ever at the partys that actually work Razz

ie. Nightrider was having a go at Deetron and 'room to move' but he failed to turn up, and see that there was plenty of room to move.

And as Nick Bn1 said, he had to put earplugs in cos it was too loud for him.

Anyhow.

I would love a Funktion One rig in there, would be ace.
But it's not gonna happen... probably anywhere in NZ.

Right - well, that's the last techno international lined up as far as I'm aware in Auckland for a while apart from Booka Shade.
So let's hope the techno troops support that, and make the promoters aware of how big the lurking techno scene actually IS. It's like an iceburg... heh

Tho I have been told today of an awesome techno act coming this way to Welly in a couple of months. Good roadtrip plan methinks! Will pass the info on when I know more.
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mattdrake said:
I would love a Funktion One rig in there, would be ace.
But it's not gonna happen... probably anywhere in NZ.


Confused

Already has.

Couple times down at Rising Sun for the DubStep Gigs.

Was apparently then turned up far to loud. Was a little bottom light for the gig/venue really, so it simply would have ended up as to much high end. Problem is, often its only the bass that needs to be turned up, not necessarily the mids or tops. Needs intelligent volume controls, almost like shelf filters on the systems.

mattdrake said:
The guy who runs the sound runs a fair few places - don't think he needs help Smile


Same guy who was in charge of it last time Deetron was in town?

Razz

Of course, all of this is totally independent of the gig, the DJs or the scene. I am solely talking about the equipment set-up and the sound in the space.

I have no doubt the rest was all Music
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I mean installed in a venue properly.
With a Funktion One mixer Very Happy

There's a few places in Australia, tho they seem to take the sound seriously, mainly tech venues it seems...

It would be nice to have a computer controlled eq for each speaker remote controlled for gigs, and just take snapshots as the system is tweaked for people etc... without it costing a fortune.

What was the problem last time with Deetron?
Repositioning the booth at Coherent was a great move for sound, now you are able to find a sweet spot either close of far from the DJ, no matter what level of sound you like. Good for younguns with no hearing damage, or old cats who need to protect their assets!
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I personally love the layout of ink it creates a warm, friendly and intimate vibe that reminds me of a bangin house party. Ive had some of the best nights down there over the past few years and its one of the only places i know i can go with a bunch of friends, stay all night and be guaranteed of good music.
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Plus - it's a house party with good tunes...
haha

Which is rare in this 'Iknowanelectrohousedjwhowillplayforfree' time....
Smile
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Debate about ink and soundsystems aside, how many people do you guys think were down there specifically to see Deetron, or even knew who he was?

I would guess 20/30 at a push?

I'm not a big fan of Ink (out of respect for Matt's plea for positivity will leave it at that) but it does seem to have a regular crowd of party people.

If the deetron party had been on at another venue without the regular weekly crowd then those 20/30 Deetron people wouldn't be enough to make the gig profitable (even if another handful of people were drawn out by the fact it wasn't at ink).

Unless the techno fanbase in Auckland improves, venues like Ink are going to remain the only viable place for internationals to play. It isn't ideal but I'd rather see the likes of Deetron and Tanzmann playing here at Ink than not playing here at all.

I can understand the view of people that would rather just not go to parties than see people play subpar venues but the result of that thinking is that there is no techno parties in Auckland and new fans will never get the chance to hear the music. I'd like to think at least a few people wandered over from Kid Kenobi (didn't see him play, so can't tell if he was shithouse sorry DC1!) and enjoyed the techno sounds.
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I've had some great nights down Ink as well, always good tunage and clientele, it's physically underground which is always a plus, and definately the best twisted smirting in Auckland.

Didn't get to see Deetron over here which was guts, but Luciano aside there is Carl Craig, Mike Monday, Radioslave, and some of the Dirty Bird/DFA camp amongst many others of interest in the next few months which you'd hope of which some would be able to gather a decent crowd in NZ.

As for Function 1's trust the Dubstep boys to have that shit sorted. Several venues in Sydney are rocking them, of which Nevermind seems the most interesting. I reckon it's about time Fubar got some techno back up it. Or Drum n Bass/Dubstep/Techno infusions.

Personally I'm more excited about Mr Scruff and Giles Peterson
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i thought the sound at ink was great, better than derrick may last year when the booth was in the old place.

i thought it was a great gig at a great price, $20 wtf!!

i didnt check out kid kenobi but it looked pretty busy, even saw some people from school there and thought to myself 'hmmm...wernt u the same people who used to diss me for listening to 'techno' music?'
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mattdrake said:
I mean installed in a venue properly.
With a Funktion One mixer Very Happy


Void Acoustics.

I will bring an Air Motion system down here one day. For my own, personally designed club.

I just need to win lotto now. Crying or Very sad

mattdrake said:
What was the problem last time with Deetron?
Repositioning the booth at Coherent was a great move for sound, now you are able to find a sweet spot either close of far from the DJ, no matter what level of sound you like. Good for younguns with no hearing damage, or old cats who need to protect their assets!


Serious?

That was the night one stack was dropping out every time the bass kicked in. Its like a compressor on the bass channel was somehow just over the high end on the right side.

Well sick.

That was the time he played in Coherent - with Schumacher. Was there another time he was down here?
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Really? Can't remember that... odd. Was a wee bit pissed tho! haha
That entire fiasco was just a headache.
The promoter was the dodgiest guy I've met in NZ. And we have some serious dodgy people in the industry!

Now you do mention it, I can remember that cutting out.
Hmmm... I wondered why I hung around the other speaker all night!

Laughing
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I went to DEETRON at coherent the first time and enjoyed much. I had room to move and the sound was ok to me. I mostly was near the middle and back centre left. Actually I prefer that room layout to the present in some ways.

Basically the sound system there is too big for the space imo. The way things are now I have to be at the back wall of the toilets to hear it anywhere like it should be. I think the imported system at Monolake tuned by daev and darren is the best I've heard at that space.

As to ink, if there was room at deetron to move it speaks volumes. I'm not a fan of that space as I feel too constrained. If you are not squeezed into the small space in front of the rails you are being shoved by people moving to and fro behind them. The speakers always seem to be in my ears and that is not comfortable to me. This could be due to the fact that I am tall and the ceilings are low.

I planned on coming to Deetron anyway but slept in.

I still want to know what happened to peat btw.
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Night Rider said:


I still want to know what happened to peat btw.





if peat is who i think he is, i didnt see him without a corona all night - maybe it was those stairs.
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it's usually the vodka/jager shots that get him
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Mc Bean said:
Luciano aside there is Radioslave amongst many others of interest in the next few months which you'd hope of which some would be able to gather a decent crowd in NZ.


rocks my waka
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Mc Bean said:
Radioslave


realy, are they playing here soon?
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Playing here over New Years. Twice. So is Rythm and Sound/Maurizio. And Herbert with his Big Band but dunno bout that so much.

Where the bloody hell are ya?

::breasts::
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jeremy d said:
Night Rider said:


I still want to know what happened to peat btw.





if peat is who i think he is, i didnt see him without a corona all night - maybe it was those stairs.


not sure what you mean by what happened to me... I went to the gig with a bullet hole in my head - was make up obviously. My step daughter is doing a make up course specialising in special effects so Halloween was a good opportunity to get her to do her stuff... I only went to hear Matt play tho and left very soon after as I had a early apptmt next day(Sorry Deetron)
Dont drink beer or jaeger so twasnt me with Corona , pretty much always vodka with coke for me when I'm out.
It did seem very much as though only a few people were there for the techno as such... agree with what you've said BN1, better to have a place than no place at all even if it is Ink which sounds ok but always feels a bit of a hallway.
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peat said:
agree with what you've said BN1, better to have a place than no place at all even if it is Ink which sounds ok but always feels a bit of a hallway.


take it as read matt drake et al that we all appreciate Andy's efforts what with noise control etc etc etc

but our criticisms are meant to be helpful feedback is all
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Of course. Just found that coming back here, the level of enthusiasm for tech is at an all time low in NZ... which is strange, since it's the biggest thing in Europe by lightyears. Just be good to see everyone talking things up and encouraging good vibes Smile


All good!
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mattdrake said:
coming back here


what a come down